Monthly Archives: October 2012

Godspeed You! Black Emperor – Allelujah! Don’t Bend! Ascend!

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This is a brand new album from a group of anarcho-psycho-banjo dudes that disappeared about a decade ago. Maybe everyone knows that. I have no idea. I really liked their late 90s stuff, this has a good title and good cover and probably some good end-times post-rock – something we’re all likely in the mood for on the eve of the potential election of Mitt freaking Romney.

I assume everyone has some way of getting this…? Here it is on Spotify: 

Dusty Springfield – Dusty in Memphis

I really want to start this blog back up again. I hope all the originals want to get back into it, but I also think maybe we could get some new people, too. It gave us a chance to hear albums in their entirety, delve into some context, listen to things we might never have heard otherwise, and will now provide a nice distraction from grading endless freshman rhetoric papers.

Adorable dress or weirdo nightgown?

My pick is Dusty Springfield’s Dusty in Memphis. It’s a highly regarded hall-of-famer type choice, and an album I’ve heard a lot about, but I still have never listened to the whole thing. It’s hard to move past “Son of a Preacher Man” (perfection), but supposedly the rest of the album lives up to the single.

She’s so pathetic! She sings lines like “Oh, baby, I’m begging you, Won’t you reach out for my dying soul?” and “Today I cannot borrow a minute of your tomorrow, But don’t let it cause you sorrow, Please, don’t forget about me now, baby” without any shame. She’s devastated, her voice wavers, she pleads with ex-boyfriends, and then she puts it out there – straight to the top of the Billboard list. Starlee Kine talks about how freeing Springfield’s honesty is in this This American Life episode.  Sometimes you don’t need to dance with “All the Single Ladies;” sometimes you need to fall down on your bed and cry with Dusty.

She’s British, but Dusty in Memphis was her effort to establish herself as a soul singer in America. Collaborating with Jerry Wexler and Arif Mardin on Atlantic Records and singing songs written by Carole King and Randy Newman, she seems to have solidified her place in American music. She – and this album, specifically- appears on top 100 lists all the time, for whatever that’s worth.

This download includes the original 11 tracks and some mono versions. It doesn’t include any of the many extra songs that appeared on any of the rereleases. Let me know if something goes wrong with the link and I can put up a password protected link.